Lynch is characterized for his weird moods, and surrealistic undercurrents, and especially in Twin Peaks. But then again, maybe not. Much of the supernatural spoof of Twin Peaks is tinged with Judeo-Christian homages, spiritualism and mysticism. But somehow, the story details around that conundra is of subordinate signifiance. You could almost say that they are instruments working as symbolism stuff by itself! Red Curtains, Fire have typical occult bearings, but many of the gimmicks, such as reverse speech, and strobe effects, are self-allusive to the Lynch canon. I always felt that the story or plot had less priority than evoking a suggestive feel to it all.
