| 26. Saturday, September 22, 2007 1:34 AM |
| lilla_laura_palmer |
RE: Favorite Horror Films |
Member Since 1/5/2006 Posts:185
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Dating back to the 50s, the first and only film to scare me so much I had to walk out of the theater - the original Blob. Something about that growing oozing blob on a stick that terrified me.
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Oh, yes! That's a great one. It was a really long time a watched it now. Unfortunately I only have the later Blob in my shelf. I totally forgot to mention The Vampire Collection box from Hammer House of Horror, containing Countess Dracula, Twins of Evil and Vampire Circus. All three films are from 1971 I think. They're just great!
/ L ~Night time is my time~ MSN: lilla_laura_palmer@home.se
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| 27. Monday, September 24, 2007 2:45 AM |
| blt |
RE: Favorite Horror Films |
Member Since 9/23/2007 Posts:12
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Mine would be Videodrome by David Cronenberg.
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| 28. Monday, September 24, 2007 4:23 PM |
| one suave folk |
RE: Favorite Horror Films |
Member Since 12/21/2005 Posts:5862
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Fab Lovecraft/Stuart Gordon: Re-Animator, From Beyond, & Dagon (I LOVE that movie!!!).
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| 29. Saturday, October 6, 2007 2:19 AM |
| REBEL |
RE: Favorite Horror Films |
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Nightwatch is purty good.
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| 30. Tuesday, October 9, 2007 4:21 AM |
| Freshly Squeezed |
RE: Favorite Horror Films |
Member Since 9/29/2006 Posts:275
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Kubrick's version of the Shining is the only horror flick that lactually made me feel sincerely uneasy. I liked Saw I and II - haven't seen three yet - something pornographic about Saw. Exorcist I was fine - II and III straight to the Crapper. Rosemary's Baby was poorly done in my view.
Beauty is momentary in the mind - The fitful tracing of a portal; But in the flesh it is immortal. The body dies; the body's beauty lives. So evenings die, in their green going, A wave, interminably flowing. So gardens die, their meek breath scenting the cowl of winter, done repenting. So maidens die, to the auroral Celebration of a maiden's choral. Susanna's music touched the bawdy strings Of those white elders; but, escaping, Left only Death's ironic scraping. Now in its immortality, it plays On the clear viol of her memory, And makes a constant sacrement of praise. ('Peter Quince at the Clavier' by Wallace Stevens)
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