The folks on the official doc are somewhat more self-conscious, trying to be intelligent & normal & really rather staid.
Well, aside from the fact that I AM intelligent and normal and not just "trying to be", I interviewed in a professional manner because as a festival organizer, I felt it best to present myself that way. Of course, didn't help that the documentary folks FAILED to identify either Jared or myself as organizers, so I come off sounding a bit like a dolt. But at the end of the day, I would rather have that be what represents the festival to the larger population than Beymer's docu. I think Charlie's documentary was more respectful to the festival and the fandom, whereas Beymer's film is at times very condescending and feels more like the fest-goers were being ridiculed, something I don't condone regardless of how famous the filmmaker is.
That's not to say that I don't like Beymer's film. I really do like it. But which would I rather have representing the festival? Charlie's documentary, hands-down.
Now see, ya took that the wrong way. Of course everyone is intelligent & you & Jared should've received proper credit. They covered just about every event in the fest & interviewed many people, but to me it just came across as a bit dry & businesslike. Not a bad calling card ad, I suppose. But to an insider, Beymer's is more delicious, snarky & spontaneous. The official doc just feels kinda pre-meditated. And I don't know Charlie (I did speak with Amy). He didn't approach me during the fest. But there were a lot of folks he did get in. I think that watching both docs would give one a better perspective.
I just showed Rob the Beymer doc, and he said "the pacing was painful," and that if it was meant to be a celebrity perspective of the Fest, it would scare them off. It was Richard's (and our) home movie, I think. Great fun for those who were there but "meaningless and bland" for those that weren't. So, yeah. Showing all the standing around and bizarre bits of conversations is really more of an inside joke thing than a professional documentary.
Charles captured the same goofiness, and the chilled atmosphere that Beymer did, but with clean editing. The New York Times called it a "giddy promotion for the Twin Peaks fan festival."
Amanda- those of us that know who you are and what you do are the only ones your presentation should matter to, and it was GREAT. I shudder to think of the thousands of strangers watching it going, "Why the hell do I care about these geeks?" Geeeeeeeeks!!!!!
Eh, f*ck 'em.