Hey I'm new here so excuse me if someone has already mentioned this but I have just finished watching the second season and I was wondering about the last episode in the Red Room. Cooper finds Annie and she says to him something along the lines of "i know who will kill me in 25 years time". Then she turns into Caroline. Is there any significance to the timeline or is it just in relation to Windom Earle killing Caroline.

It made me think that most likely Cooper and Annie ended up married and Cooper with the evil of Bob inside him he commited murders throughout those 25 years up until he himself kills Annie herself and she is somehow telling him who will kill her...I don't know maybe I am over thinking things.

 Also were their plans before the show got cancelled to go beyond this episode with Audrey, Andrew and Pete being killed(?) within the bank and the fallout from that.

Who would be on board for twin peaks if the show was to be made in the present picking up with everyone and where they are now including directors and writers>???

sorry for the dumb questions but eager to find out..

As Lynch himself said, Twin Peaks is "dead as a doornail."  Sad, but true, although in the latter half of season 2 it had fallen apart and degraded into something well beneath what it was in it's first half, despite some redeeming aspects.  I think it had to end the way it did, most of what made it beautiful had been sucked out of it...

Not dumb questions!

As Wizard said, the franchise is deadeadead. Alas.

You've confused two things: Annie says 'I saw the face of the man who killed me' and then  'Laura' says 'Hello Agent Cooper, I'll see you again in 25 years...meanwhile'

I always took the 'face of the man who killed me' as a case of psychology imprinting past upon present. Caroline was killed by Earle, we see Annie in Caroline's dress...both are loves of Cooper's life, and so in the mega concentration of brute emotion in the Black Lodge, Coop's fear of his Ladies dying compounds Annie and Caroline into the same entity, briefly.

Plus, Re:Season 3, there was tongue in cheek talk of silly things like Cooper becoming a chemist, Bob and Mike being from a corn planet etc...

There was however at one point a plan to make a Twin Peaks graphic novel, but the whole thing fell through

But if you want some fantastic TP fanfic i'd recommend this - http://pages.prodigy.net/fitten/webdoc7.htm

along with the stuff in the fiction section of this site.

Don Davis had said that there was also talk of Major Briggs rescuing Cooper from the Lodge.

No stupid questions here, and we like to revisit these topics again and again. It's why the board exists. Keep posting and have fun :)

Don Davis had said that there was also talk of Major Briggs rescuing Cooper from the Lodge. No stupid questions here, and we like to revisit these topics again and again. It's why the board exists. Keep posting and have fun :)

 Finally got some support to my own conclusions about the future things to happen in the series :)

 Mark Frost said he WANTS to continue it, and so does Kyle.  If it were up to Frost, they would do it.  Lynch did say it was "dead as a doornail" but he said other things, too.

For example, Lynch also said that "I hope one day they will find those missing pages of Laura's diary" on a fest video he sent to us.  I am not saying there WILL be a continuation, by any means.  PROBABLY not....but I am not completely hopeless either.

Maybe it will be an artistic continuation, and not a literal one.  Hell, Mullholland Drive was originally a Twin Peaks tie-in story about Audrey Horne.  When Lynch revisioned it, he changed things to make it anew....but some things remained present.  Hell, when you see Lil Mike in a curtained room.....it kinda makes you see the relation.  lol

Sorry if this off topic- In my personal observation the show seemed to have spiraled downward into a sort of mellow-drama soap opera with a thriller/mystery undertone once the Laura Palmer case was solved.

IMHO the show would have faired better by whittling down secondary or uneccesary characters, and instead made the Black Lodge/White Lodge the primary focus rather than the many many interweaving subplots centered around Ghostwood, Packards, Ben Horne, James & Donna etc.

I think the overwhelming cast size was essential for the Laura Palmer whodunit but once the true killer was discovered, keeping all of these left over characters seemed trivial and most likely contributed to the show's cancellation. I would have only kept those characters who had a deep or relevant connection to Laura, and maybe Leland (to help identify what BOB is).

My log has spoken!

hehehe 'mellow drama' hehehe. Aye, it's the general consensus; that for most of S1 and the start of S2, it was a 'satire' soap opera, but then it seemed that the makers started to treat it as a TRUE soap opera. I'm sure if it had focused upon th Lodge mythology then people whould have bemoaned even more of how 'weiiiird' it is.  I do wish that all of s2 had the same tone as ep 29...