I've struggled for a while with my perception of DM at this point in my life. Like Angel said, we all had Violator in high school. Came out my Freshman year in fact, and I lived that f'ing album for a good two years. I've always seen Violator as the fulcrum upon which their musical library hinges...on one end you have their earlier stuff that is dark in nature at some points but for the most part pure electrosynthpop. Violator thankfully opened the door for many people who had never previously been interested in Depeche Mode, and while some longtime fans may scoff at it, I think it's just fine. I would rather people come to know this band I love than not know them at all. But for the most part, up to this point DM saw airplay on both pop and alternative venues. Violator really was the colliding of two DM worlds...the poppier side and the alt-goth-emo side.
Starting with Songs of Faith and Devotion, we saw more of Gore and Gahan tackling demons like never before, and it opened the band up to new musical levels both lyrically and instrumentally. From that point on, the band's albums were less pop-y and more...dunno..."dark and real" seems kind of a cliché thing to say, but I think you know what I mean. Ultra and Exciter got panned, but when you listen to them, they've got some fantastic stuff on them. Playing the Angel really brought them back 'round full circle, harkening back to those Violator days but once again addressing those darker, more personal issues. The song "Precious" is itself about Gore's divorce from his wife of many years, and his fears about what it would do to their children; but musically, the song is just as much a crowd-pleaser as "Enjoy the Silence" was back in 1990.
For me personally, Playing the Angel was a reminder of exactly why I love DM. It made me go back and re-explore Ultra, Exciter, and Songs of Faith and Devotion. I would be hard-pressed to NOT name a song from that album in my top 10...
~ Amanda
"Just fear me, love me, do as I say and I will be your slave..."
