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Ok I'll try this again. The Major and I wrote this script. I don't think it's full episode length (shrugs). Please give comments: Twin Peaks Episode 30 Written by Laura was a patient of mine and Maj. Briggs Darkness. Two headlights suddenly break through it. A car comes in sight, driving fast. Cut to interior shot of car. A red-haired woman is driving. We cannot see her face. The radio is playing country music softly. We can only see the road immediately in front of the car, illuminated by the headlights. Suddenly two headlights appear, directly in front of the car, as if it has just turned a corner. The light is blinding. The woman swerves off the road and crashes into a sign. She hits her head. Exterior shot of car. The horn is sounding off. The camera slowly pans out. We see the familiar sign: “Welcome to Twin Peaks”. THEME SONG Interior of hospital. We see a doctor. He is a middle-aged, thin, African-American man with a British accent. He is pushing a stretcher through the emergency room. A female doctor approaches. She is a thin, attractive, African American woman with glasses. She seems to be in her mid 30’s. FEMALE DOCTOR: Who’s this? MALE DOCTOR (while moving): A Jane Doe. She was driving through town at night and crashed. No identification. Close up of FEMALE DOCTOR’s face as he is moving away. She catches sight of the patient’s face for the first time. FEMALE DOCTOR: Oh my God. (she runs back after the doctor). Camera pans through room to where Annie Blackburn is lying. She is covered in blood. There is a nurse, who is a very attractive, thin, Caucasian woman in her twenties, with black hair. NURSE: Don’t worry Annie. The doctor will be here soon. ANNIE: I’ve been in the lodge with Laura and the good Dale. Write it in your diary. The nurse notices the Lodge Ring on Annie’s finger. She looks around to make sure no one’s watching and takes it. Doctor approaches and she quickly stops. DOCTOR: I’ll take care of her. Why don’t you go keep an eye on Benjamin Horne? Camera follows nurse through hospital, and she walks to Benjamin. He is lying on a bed, with a patch on his head. He is unconcious, but starts muttering when the nurse walks in. BEN: (muttering) Donna… Donna… why… NURSE: Can you hear me Benjamin? Benjamin? He does not answer for a while… but then his eyes open. He is facing towards the side. He looks surprised. BEN: Audrey…Audrey… We see Audrey Horne lying down, unconscious. She is lying peacefully. She seems somewhat bruised and scratched, but is basically alright. Shot of red curtains swaying back and forth fades in. Faint rustling sound. Close up of LAURA PALMER’s face. The camera pans out some to show that she is in red room/black lodge. She speaks while camera slowly pans out. LAURA: (subtitled): Do you know who BOB is? OLD COOPERS VOICE (off-screen): No. LAURA: He is the one who feeds on the Garmonbozia. OLD COOPER (now visible sitting in chair): What is it? LAURA: (now with dish of creamed corn, subtitled) See for yourself. (throws dish at him) Close up of Cooper. He does not flinch. Nothing hits him. LAURA (subtitled): He cannot have it. It is all gone. OLD COOPER: Laura… Laura I love you. LAURA: (turns to curtain exit, subtitled) This is another time. (they both fade out). Camera pans out to reveal Good (normal) Cooper (who we will now call Coop) again, watching this by the curtain. He leaves the room, and walks out through the corridor to the other “Red Room”. He sees a replaying of his Doppelganger chasing him. The Doppelganger pushes the Good Cooper back and leaves the Black Lodge instead. The Good Cooper (in the “memory”) pulls back the curtain, but finds an impenetrable wall on the other side. Back to Coop who is watching. COOP: How long have I been here? Coop’s POV looking into the room. Suddenly BOB’s face appears right in front of the camera (as in episode 29) BOB: Hey Coop! BOB disappears. Close up of Coop. He blinks. Now he sees a replaying of the final scene of FWWM. COOP: What is this? UNSEEN VOICE (subtitled): It is future-past. Good Cooper looks down to see the Man From Another Place. Interior of ED and NADINE’s house. ED (holding Nadine): Honey…honey…it’s not what you think… NADINE: (tries to push away from him) What I think?! How do you know what I think?! MIKE: Maybe I’d better go… No one answers. Mike leaves. NADINE: It’s not fair… (breaks into tears) It’s not fair…(suddenly becomes angry) What’s been going on here?! What’s happened?! Who’s Mike? She stares around the room, demanding an answer. No one speaks. Ed stands there speechless. He mouths words, but makes no sound. Norma walks up and puts her arm around Ed. NORMA: Ed and I are getting married, Nadine. Nadine breaks down and cries, Ed tries to soothe her. Norma slides her arm until just her hand is on Ed’s shoulder. NORMA: Ed, we have to go ED: Norma, we can’t just leave her like this. NADINE: Aaaahhhhh!!!!!!!! (a scream of complete rage that lasts for a long time, and becomes higher and higher). Nadine runs out of the house, Ed runs after her. ED: Nadine! Nadine gets into the truck and starts it, and then drives erratically out of the parking lot. Norma slowly walks up to Ed NORMA: Ed. ED: I have to go get her Norma, I’m sorry. NORMA: Find her fast Ed. Norma gives Ed a kiss and Ed jumps onto his motorcycle and rides off. Cuts to hospital room, Audrey wakes up, Ben is asleep on the bed next to Annie’s. On the other side is Jane, but we don’t see her face. The camera is on Audrey, so that we cannot see Jane. JANE: Hi. AUDREY: (recovering herself) Hi…um, have we met? JANE: I don’t know…I don’t think so at least. AUDREY: Mm…I’m Audrey Horne, anyway. JANE: Hi, I’m uh…Jane. Jane-uhh…Gallagher. Audrey sighs, she then opens her eyes completely, and then her eyes widen, she gasps a bit. Cuts to James on his motorcycle, he speeds along a highway, suddenly he sees a figure, and a shrieking sound goes off. James swerves around and crashes a bit, but he is O.K. He runs back to where he saw the figure but sees nothing. JAMES: Laura? LAURA! James hangs his head and gets back on his bike. Cooper lying on bathroom floor, Harry and Dr. Hayward come in. COOPER: Harry I hit my head…Harry, do you understand? I hit my head. HARRY: Augh…Coop; we’d better get you to the hospital, jeez the mirror is smashed… COOPER: O.K. HAYWARD: Harry, we have to get him to the hospital. HARRY: Yeah… right… Harry puts Cooper on his shoulder and drags him out of the room. When he is out of the room he sees Senor Droolcup. DROOLCUP: The milk is too hot now. In fact, I think it’s on fire. HARRY: What? Listen…could you help me? I have to get this man to the hospital. Droolcup panics, drops his tray, and runs. HARRY: Dammit… Harry continues to drag Cooper HARRY: Come on Coop, I need some help. Cooper raises his legs up to a standing position and then shuffles across the floor. HARRY: That’s right Coop, come on… Harry takes him downstairs, while Hayward calls for an ambulance. Cooper now has a bandage on his head where the cut was. They wait in the lobby, in front of the fireplace. Cooper stares at the fire, which is slowly dying down. COOPER: Harry that fire is about to go out. HARRY: Okay… COOPER: Harry! That fire is about to die… Harry stands there, not knowing what to do. Cooper tries to get up but becomes disoriented. The fire goes out, and he faints. HARRY: Coop! He lifts him up and lays him down on the couch. Hayward comes downstairs. HAYWARD: I called an ambulance, it should be on it’s way. (sees Cooper collapsed) God, I didn’t think it was that bad. Cuts to Jerry walking, he goes into Ben’s hospital room (he has been moved from intensive care). He goes over to Ben’s bed. JERRY: Ben, Ben. Benjamin groans. JERRY: BEN! BEN: Wha-whadumudonit? JERRY: You can’t stay out of trouble can you Ben? I mean, first Catherine, that’s one thing. But Hayward? You must’ve really shoved it up the gutter. BEN: His daughter found out JERRY: You mean Donna… BEN: Yes JERRY: Oh…the Zags won. BEN: Wonderful Jer, just wonderful, Gonzaga won, while I’m in intensive care along with my daughter! JERRY: Jesus, take it easy Ben you’ve got some kind of problem? BEN: Yes, Jerry I do have a problem. JERRY: What? BEN: 8 pine weasels were killed in the last two weeks JERRY: Those bastards! I won’t let this happen Ben! Jerry storms out of the room. The camera pans over to where Cooper is in intensive care. Doc Hayward is packing up his bag. HAYWARD: I’ve gotta go home. I’ll see you tomorrow Sheriff. HARRY: Yeah, okay. Oh Doc, I almost forgot. We’ll have to question you about Benjamin Horne tomorrow. HAYWARD: (sighs) Alright, yeah. Goodbye. On his way out he sees Ben, and looks at him angrily for a minute, then leaves. At the Brigg’s home. Maj. Briggs is about to head out the door when Betty calls him. BETTY: Garland? Where are you going? MAJ. BRIGGS: I’m going to pay a visit to Agent Cooper. I’d like to talk to him about what Ms. Palmer told me yesterday. BETTY: Oh yes. (pause) Be careful Garland. (she kisses him on the cheek) Maj. Briggs leaves, as Bobby walks in the door. BOBBY: Hey Mom. BETTY: Where have you been? You said you were going out for a few minutes five hours ago. BOBBY: Just hanging out at the diner. Nothing to worry about. BETTY: Does this have to do with Shelley Johnson? BOBBY: (suddenly turns around, loses carefree attitude) How do you know about Shelley? BETTY: I’ve known for a long time. You’re really serious aren’t you Bobby? BOBBY: (sincerely) Yeah. I think I’m going to marry her. BETTY: (looks surprised) Oh. (pause) Have you told your father? BOBBY: Not yet. Don’t tell him yet, okay Mom? I’ll tell him in my own time. BETTY: Alright…. BOBBY: (to himself) Yeah…. As soon as Leo Johnson’s out of the way. Interior of the Hayward house Dr. Hayward is sitting on the couch, Eileen is trying to soothe him. DOC: God damn it, why did I do it? Donna is also on the couch, tears on her face. DONNA: Daddy, daddy…oh god… EILEEN: It’s going to be all right DONNA: W-why? DOC: Donna, for a long time I was busy, too busy. Before you were born, I traveled often, and I hardly paid any attention to your mother. (Sighing) I had been gone a week, and had hardly called home...Ben invited your mother to a dinner party, and well… Donna gasps and sobs. EILEEN: Donna, I-I’m so sorry, I regretted it the rest of my days. DOC: Ben didn’t want another daughter. He didn’t want the whole ordeal to be made public, naturally. So he allowed me to father you. Donna cries some more and her father and mother give her loving embraces. Catherine Martell is sitting in the house. There is a knock on the door. She answers it, to see Deputy Andy Brennan. CATHERINE: Hello Deputy. How can I help you? ANDY: Well, Mrs. Martell, I’m afraid I have some terrible news for you. CATHERINE: Continue. I have the tendency to like that kind of news. ANDY: It seems that well… your brother Andrew… (he starts to cry and pulls out a handkerchief). CATHERINE: Well, what about him? ANDY: Well he…he died. CATHERINE (shocked): What? ANDY: And your husband, Pete. They died in the bank explosion. (breaks down into tears) The (sniff) Sheriff wants you to go down to the hospital and identify the bodies. (breaks down again) Catherine looks shocked, but also slightly pleased. CATHERINE: Let me get my things and we’ll go. She leaves Andy, who is crying, and goes to her bedroom. She takes out Andrew’s will from another secret compartment. CATHERINE: Well Andrew… It looks like your time is up (smiles). She then glances at Pete’s picture. She suddenly becomes emotional and wipes a tear from her eye. She lays the photo face down, and leaves the room. Catherine walks out the door and shuts it behind her, she walks quickly towards Andy’s Jeep CATHERINE: Well come on then. ANDY: A-alright (sniff) Ms. Martell Andy gets into the car and drives off. Shot of Major Briggs walking down the corridor of the Great Northern, he knocks on Cooper’s door. Louise comes up. LOUISE: Hi Major, I’m afraid that Agent Cooper had to go to the hospital, it looked pretty serious. I think he hit his head. MAJ. BRIGGS: Oh, thank you ma’am. LOUISE: My pleasure Major. Louise salutes to the Major and the Major replies with a salute as he walks off. A shot of Major leaving the Great Northern, he sees a vision of BOB barking into a tape recorder, BOB then fades out. Major Briggs squints his eyes quizzically, shakes his head and pauses, then walks to his car and gets in. Harry comes into the police station. HARRY: Hey, Lucy LUCY: Oh, Sheriff Truman, (says the next line contemptuously) Agent Rosenfeld called. He says that he’s coming over to see Agent Cooper in the hospital. HARRY: O.K Lucy, but promise me one thing. LUCY: What? HARRY: Keep Andy away from Albert okay? LUCY: (Shocked) You’re on a first name-basis with Agent Rosenfeld? HARRY: As a matter of fact I am. LUCY: (Quietly) Very good, Sheriff Truman Harry goes into his office, Hawk is waiting there. HARRY: Hi, Hawk. Has anybody caught sight of Windham Earl? HAWK: Nobody has seen the “Log Lady”, or an old man with curly grey hair with a week-old beard and dark brown eyes. HARRY: Alright, keep us posted on that Hawk. The sooner we find this guy the better, because with Cooper indisposed and all… HAWK: I fear that the soul and mind are separate within him. HARRY: What do you mean by that? HAWK: I saw him today, he was acting very strangely, like one who is not himself. HARRY: Yeah, I got that feeling too. HAWK: A dark presence is near him, near us. Hawk goes out of the room. Shot of Catherine and Andy walking through the morgue, Andy stops at one table. He reads the tag. ANDY: This is it Ms. Martell.(sniffs from crying, reads tag aloud.) Packard, Andrew. Catherine goes over to it. Andy slides the sheet down to Andrew’s chest. CATHERINE: That’s Andrew. Andy puts the sheet back. ANDY: Over here Ms. Martell. They walk over to another body. ANDY: Martell, P-P-Peter. Andy lifts this sheet as well, but it is not Pete. They gasp. ANDY: This is kind of strange Ms. Martell CATHERINE: Mrs. Martell if you would deputy. I believe Peter is still alive. Cooper in the Black Lodge, he is sitting in his regular chair, the LMFAP (Little Man from Another Place) is sitting next to him. LMFAP: (subtitled) Did you see me? Coop: Well, yes. LMFAP: (subtitled) No, you did not. Coop: What do you mean? LMFAP: (subtitled) I saw you too. You were happy! Coop: I was? LMFAP: (subtitled) One and the same, Bartholomew. Cooper nods his head. LMFAP: (subtitled) Are you hungry? Coop: Um… LMFAP holds out a small bowl with a spoon in it. LMFAP: (subtitled) Creamed corn? Coop: No, no thank you LMFAP: (subtitled) You can’t live on coffee and sweets alone, you know. Coop: Where is Laura Palmer? LMFAP: (subtitled) You don’t want to see her right now. Coop nods his head. LMFAP: (subtitled) You can see her cousin. But no-one liked her either. Audrey wakes up in her bed, her head and left hand are bandaged, and she has a cast on her right foot, with her toes sticking out. JANE: (shot of the back of her head) Oh, good. Wiggle them. AUDREY: What? JANE: Your cast has an open footpiece, wiggle your toes, it’ll make it a lot better. AUDREY: (gives her a strange look) Er... Thanks JANE: So tell me more about this Laura Palmer AUDREY: Well, she was really popular, and pretty, but kind of messed up. And… JANE: What? Audrey sighs. She looks past Jane’s bed to see Agent Cooper talking to Major Briggs. MAJ. BRIGGS: Do you remember any experiences in the Black Lodge? COOPER: No. MAJ. BRIGGS: Any emotions? Dr. Jacoby tells me remembering emotions is the first step to recovering memories. COOPER: I remember feeling…laughy. MAJ. BRIGGS: Curious…the Black Lodge is a place of pain and suffering. COOPER: It is? MAJ. BRIGGS: Well, yes. It is a purgatory of some sort. It is certainly a terrible place, but once one has faced the darkness and conquered it, he will be purified and go to the White Lodge. COOPER: I see… MAJ. BRIGGS: I would like to see this place myself. Do you remember the location? COOPER: NO. A shot of BOB in the bed, he is growling and cursing. BOB: There will be no entering my domain…BRIGGSY! MAJ. BRIGGS: Thank you for your time Agent Cooper. Get well. COOPER: Thank you. Maj. Briggs walks away. COOPER: Thank you. Maj. Briggs nods his head to Cooper/BOB.
That god damn trailer's more popular than Uncle's Day in a whorehouse!
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LMFAP would say "Another thread..." 
COOL! Any chance of a link if it's available to read? A lot of Twin Peaks-related fanfic is hard to track down. 
